Fall 2026
Instructor
Art Appreciation
Teaching art through looking, discussion and connections across visual culture.
About Alex
Alex’s teaching approach, college roles and workshops led, with examples of his course design and assignments.
Instructor, teaching-intern and teaching-assistant roles are identified on each course.
Fall 2026
Instructor
Teaching art through looking, discussion and connections across visual culture.
Spring 2023
Graduate Teaching Intern
Maryland Institute College of Art
A teaching internship in visual culture, history and representation.
Fall 2022
Graduate Teaching Intern
Maryland Institute College of Art
Teaching support for the senior sculpture programme.
Fall 2021
Graduate Teaching Assistant
Undergraduate photography with Professor Linda Connor.
Alex’s Art Appreciation course begins with close looking. Students locate specific visual details, describe how those details relate, and use that evidence to develop an interpretation. Formal vocabulary serves an argument about a work; naming a technique or element is only a starting point.
The course connects form to context. Students consider how medium, scale, site, duration and circulation shape meaning, alongside the cultural worldviews, institutions and power relations around an artwork. Comparative critique, discussion, writing and curatorial proposals give them different ways to test a position.
Assignments make the distinction between observation and interpretation explicit. Assessment values specific evidence, clear reasoning and communication. Course materials include readings, museum collection records and captioned audiovisual work, with provision to consider equivalent access when a barrier arises.
This approach is reflected in the Fall 2026 syllabus and assignment excerpts below.
Selected excerpts from Alex’s Art Appreciation syllabus and assignments at Richard Bland College.
ART 231 · Fall 2026
Course design
A four-unit introduction to visual art: from defining art and reading form to interpreting themes and examining the institutions around it.
Course structure · learning aims · assessment
Read the excerptART 231 · Fall 2026
Assignment excerpt
A close-looking exercise that asks students to locate visual evidence, describe formal relationships and communicate a precise observation.
Assignment brief · assessment criteria
Read the excerptPractical workshops Alex led in filmmaking, editing and movement.
2022
Workshop Instructor
A practical workshop in film editing and post-production workflow.

2019
Workshop Instructor
An introductory filmmaking workshop in Lebanon.

2018
Workshop Instructor
Guides du Liban · Groupe SSCC Kfarhbab
Led a movement-improvisation workshop for teenage members of the Guides group at Collège des Saints-Cœurs Kfarhbab, the school Alex attended.
Workshop and host confirmed by Alex Dahdah.
Alex’s educational work moves between art history, visual culture, studio practice, filmmaking and movement. It includes college teaching, graduate teaching internships and assistance, practical workshops, and museum education support.
He currently teaches Art Appreciation at Richard Bland College. Earlier teaching at MICA and SFAI, workshops in Lebanon and the United States, and docent-program work at the Smithsonian connect that classroom practice with the studio and the museum.